https://fatberrydsp.com/plugins/home-alone https://fatberrydsp.com/images/plugins/home-alone-1000.webp Home Alone running the Ambience program: the reverb tail drawn as a decaying field of taps, with pre-delay, decay, low, high and mix beneath it. https://fatberrydsp.com/plugins/shusssh https://fatberrydsp.com/images/plugins/shusssh-1200.webp Shusssh running: the ERB filterbank drawn as a stack of bands inside its detection ring, with sensitivity and amount at the left and focus and output at the right. https://fatberrydsp.com/plugins/inflated-ego https://fatberrydsp.com/images/plugins/inflated-ego-1738.webp Inflated Ego with effect at 45 per cent: the aperture ring open around the density readout, input and output meters at the sides, curve, boost and character along the bottom. https://fatberrydsp.com/plugins/tangerine-flange https://fatberrydsp.com/images/plugins/tangerine-flange-1200.webp Tangerine Flange on the Classic model: the comb drawn as a rosette around the tuned pitch, with amount, feedback, damping, width and mix at the right. https://fatberrydsp.com/plugins/finish-him https://fatberrydsp.com/images/plugins/finish-him-1152.webp Finish Him on the Transparent style: the limiter reading -13.42 dBFS out against a -1.00 dBTP ceiling, with character, clip and stereo link beneath. https://fatberrydsp.com/plugins/endless-mistakes https://fatberrydsp.com/images/plugins/endless-mistakes-1280.webp Endless Mistakes on the Loop engine: the tape path drawn across two bars at 120 BPM, with division, feedback and mix beneath and the section tabs along the bottom. https://fatberrydsp.com/plugins/taurus-chorus https://fatberrydsp.com/images/plugins/taurus-chorus-1080.webp Taurus Chorus on the Default Orbit preset: three modulation traces drawn over ten seconds, with the left, centre and right paths set out below them. https://fatberrydsp.com/plugins/moist-vagina https://fatberrydsp.com/images/plugins/moist-vagina-1000.webp Moist Vagina with two calibrated spring paths active, drawn as a coil across the panel, over decay, springs, damping, high-pass, wet mix and drive. https://fatberrydsp.com/plugins/masturbation https://fatberrydsp.com/images/plugins/masturbation-1550.webp Masturbation on its default preset: the transfer core display with sag, flux and crosstalk readouts, input, drive, bias, mix and output below, and the valve panel at the right. https://fatberrydsp.com/plugins/berry-console https://fatberrydsp.com/images/plugins/berry-console-3476.webp Berry Console at its defaults: the VU meter across the top of the console page, the gate, compressor and limiter readouts beneath it, and input and output meters and trims on either side. https://fatberrydsp.com/plugins/drum-berry https://fatberrydsp.com/images/plugins/drum-berry-3476.webp Drum Berry on the Circuit 80 machine: the searchable machine list open beside the sixteen named pads, each with its MIDI note, and the per-pad decay, pan, pitch, level, tone and snappy controls along the bottom. https://fatberrydsp.com/plugins/fidelity https://fatberrydsp.com/images/plugins/fidelity-3476.webp Fidelity on the Room page: the seven microphone positions drawn as orbits around the kit, the microphone mix listing each perspective as a percentage, and the Fidelity macro at its spot-microphone end. https://fatberrydsp.com/plugins/iron-curtain https://fatberrydsp.com/images/plugins/iron-curtain-3476.webp Iron Curtain at its default morph: the four layers crossfaded across one axis with their weights read out, the source panel naming the machine behind the loudest layer, and the macro chips along the bottom. https://fatberrydsp.com/plugins/knee-verb https://fatberrydsp.com/images/plugins/knee-verb-3476.webp Knee Verb on the Plate engine: the decay field drawn across the display, decay at 40 per cent, and the Plate, Spring and Church engine selector beneath it. https://fatberrydsp.com/plugins/mastering-tape-suite https://fatberrydsp.com/images/plugins/mastering-tape-suite-3476.webp The tape page at its defaults: the VU meter across the top, the third-harmonic estimate beneath it, and the tape formula and speed selectors that set the machine up. https://fatberrydsp.com/plugins/mutant-brass https://fatberrydsp.com/images/plugins/mutant-brass-3476.webp Mutant Brass with its four stages in view: the source morph across tuba, alto, reed and pipes, the spectral envelope, and the grain field and modal body both bypassed at zero. https://fatberrydsp.com/plugins/synth-berry https://fatberrydsp.com/images/plugins/synth-berry-3476.webp Synth Berry on its home page: the timbre, morph, motion and space macros across the top, the mutate control and its intensity beneath them, and the playable keyboard along the bottom of the panel. https://fatberrydsp.com/plugins/53830-waves https://fatberrydsp.com/images/plugins/53830-waves-3476.webp 53,830 Waves on set one of twenty-two: the waveform list on the left, the morphed cycle and its harmonic bars in the centre, the vintage filter at the right, and the oscillator B model selector beneath. https://fatberrydsp.com/plugins/fb-1080 https://fatberrydsp.com/images/plugins/fb-1080-1874.webp FB-1080 running: the patch display showing Preset A, patch 001, 64voicePiano, with the EFX, chorus and reverb keys lit down the right and their current settings along the bottom of the screen. https://fatberrydsp.com/plugins/fb-low https://fatberrydsp.com/images/plugins/fb-low-1439.webp LOW running on the MOOG engine: the MAIN page listing the sub oscillator and mid level values, and the nine panel knobs from Weight through to Level along the bottom. https://fatberrydsp.com/plugins/fb-chord https://fatberrydsp.com/images/plugins/fb-chord-1439.webp CHORD running: the First Light preset showing C major, degree one, resolving to Cmaj7, with the note grid to the right and the seven macro knobs along the bottom. https://fatberrydsp.com/plugins/fb-eight https://fatberrydsp.com/images/plugins/fb-eight-1559.webp EIGHT running the Basalt kit: the eight part tabs across the top with Kick selected, its amplitude and pitch envelope drawn below, and the six macro knobs underneath. https://fatberrydsp.com/plugins/fb-20 https://fatberrydsp.com/images/plugins/fb-20-2010.webp FB-20 running: both oscillators, the mixer and VCO master across the top, the Korg-35 high-pass and low-pass with drive and mod generator below, the two envelopes and the external signal processor along the bottom, and the HOME screen on the right showing the init patch in Poly 8. https://fatberrydsp.com/plugins/fb-2823 https://fatberrydsp.com/images/plugins/fb-2823-1860.webp FB-2823 running: the HOME page on patch A01 Odyssey Brass in Rev II at eight voices, with the oscillator, source mix, filter and envelope faders laid out across the panel and the four assignable macros to the right.