Summation: Analog Summing Plug-in for the Master Bus | Fat Berry DSP

Master-bus analog summing plug-in with three modelled circuits, three styles each, Drive, an output transformer switch and Mix.

Plug-ins

Fandango, Two pitch shifters, two delays and a patch bay. The rest is up to you.
Capital Punishment, Five circuits. Pick your harmonics, then punish them.
Wild Thing, Add some vintage vibe to your tracks.
Shusssh, It finds the harsh bit. You get on with the mix.
Inflated Ego, Louder, without a limiter anywhere near it.
Tangerine Flange, Movement that knows what key you are in.
Finish Him, A premium limiter that is easy to use.
Endless Mistakes, Echoes that fall apart the way tape does.
Taurus Chorus, Wide, not smeared. There is a difference.
Coil, A spring tank, modelled down to the drip.
Valence, Valve colour, dialled in one stage at a time.
Berry Console, The whole channel, in one signal path.
Drum Berry, Sixteen pads, 32 kits and 489 one-shots to raid.
Fidelity, One knob, and the room walks back to 1973.
Iron Curtain, Four layers of Soviet hardware on one knob.
Knee Verb, Plate, spring, church. No manual required.
Mastering Tape Suite, Reel-to-reel, printing into a mastering rack.
Mutant Brass, Real brass, pushed somewhere no brass can go.
Synth Berry, Our flagship. 262 parameters of it.
53,830 Waves, We counted the waveforms. There are 53,830.
FB-1080, The 1990s rack, with nothing to programme.
LOW, Subs and 808s, no modulation matrix in sight.
EIGHT, A drum synth with two engines per part.
FB-20, Vintage sound quality, modern DSP methods.
FB-2823, Sixteen voices that never quite agree.
Ape Tape, Real magnetic hysteresis, on two tapes and two speeds.
Lunch Box, Twelve compressors. One set of knobs.
Band Practice, 24 bands of transparent high-end EQ.
Minerals, Grains of anything, ringing through glass, metal or stone.
Work Horse, Ten synthesis engines. One instrument to learn.
Time Travel, Twelve effects, three bands, and all of it moving.
Frighten, The 1999 workstation, all 512 programs of it.
Taser, A vintage pedal phaser with three circuits.
Tremble, Amp tremolo, three ways.
FB-60, The classic 1982 polysynth, free.
Nana, A semi-modular mono synth with a ladder filter.
FB-985, A modern wavetable synth with deep modulation.
FB-XD, A modern four-voice polysynth with a sequencer.
The G, Console bus glue, with a Fat Berry twist.
Copy The Cat, Echoes with room to grow.
Juice, Tube-like colour, body and heat for tracks and buses.
Amsterdam, Modular destruction for glitch, IDM and heavy electronics.
BIG, A little box. A bigger picture.
Big Knobs, One big reverb, four levers.
Brooklyn Zoo, Boom-bap drums, synthesised from scratch.
Copy The Dog, Big echoes on a small faceplate.
Cranberry, Three bands of new bass, left and right.
End Times, The last thing before the world hears it.
Transient, Attack and Sustain. No threshold to set.
Gristle & Drumz, Dusty drums. Heavy knock. All synthesis.
Space Cake, Two delays, three media, one space.
Summation, Three summing circuits for the master bus.
Whisper of Satan, Low-end resonance, summoned.
Zorro, Cuts the ring. Keeps the note.

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