Meet Fat Berry DSP · 50% off launch sale | Fat Berry DSP
Audio plug-ins, synths and instruments for your next session. Get 50% off paid plug-ins and bundles automatically at checkout through Sunday 8 November.
Plug-ins
- Fandango, Two pitch shifters, two delays and reverb in one patchable effects graph.
- Capital Punishment, Five saturation circuits behind Style, Drive, Tone and Mix.
- Wild Thing, Build a lo-fi chain with noise, wobble, distortion and tape.
- Shusssh, Control sharp vocal sibilance while keeping the words clear.
- Inflated Ego, Two-stage saturation, a waveshaper and a harmonic stage, for presence before level.
- Tangerine Flange, A flanger with Classic, Thru-Zero and Cluster models, tuned to the part.
- Finish Him, Choose Transparent, Punch, Dense or Safe limiting.
- Endless Mistakes, A delay with Loop, Multi-Head and Studio engines and coloured feedback.
- Taurus Chorus, A chorus with Modern, Vintage and Ensemble models for movement on held parts.
- Coil, Add spring reverb, from a short splash to a wider wash.
- Valence, Valve saturation with Pentode and Triode stages, three topologies and supply Sag.
- Berry Console, Gate, EQ and compress a channel in one plug-in.
- Drum Berry, A sixteen-pad drum instrument: synthesis machines plus a one-shot library.
- Fidelity, A drum instrument with one macro that moves through recorded mic perspectives.
- Iron Curtain, A layered synth: Synth, Strings, Oddity and Wavetable under one Blok macro.
- Knee Verb, Three reverbs in one: Plate, Spring and Church.
- Mastering Tape Suite, Add tape colour and shape the dynamics of a mix or bus.
- Mutant Brass, Turn a brass source into a playable hybrid instrument with a breath of its own.
- Synth Berry, Build playable sounds with oscillators, a resonator and dual filters.
- 53,830 Waves, A wavetable synth with a second oscillator in seven models, from FM to Swarm.
- FB-1080, A patch-based instrument with factory banks, expansion banks, chorus and reverb.
- LOW, Seven bass flavours, direct macros and glide that follows the way you play.
- EIGHT, An eight-part drum synth, each part with its own kick, snare, hat or perc engine.
- FB-20, A two-oscillator instrument for biting basses, wiry leads and unruly modulation.
- FB-2823, From pointed analogue-style bass to polyphonic textures with a moving stereo filter.
- Ape Tape, Add tape colour, then blend it with your original signal.
- Lunch Box, Choose the compression character that fits your track or bus.
- Band Practice, A 24-band EQ with ten filter shapes and three phase modes.
- Minerals, A granular effect that captures live audio and replays it as grains.
- Work Horse, A four-slot synth with ten engines, from Analog and FM to Granular and Spectral.
- Time Travel, A multiband effect: low, mid and high bands with twelve modulated effect modules.
- Frighten, A sample-based synth for playable keys, layered textures and drum programs.
- Taser, A phaser with JFET, OTA and Opto circuits and 4, 6 or 8 stages.
- Tremble, A tremolo with Bias, Opto and Harmonic circuits, in mono, stereo or pan.
- FB-60, A polyphonic analogue-style synth with classic chorus and effects built in.
- Nana, Two oscillators, a ladder filter and a virtual patch bay that invite hands-on playing.
- FB-985, A three-oscillator wavetable synth with two filters and four envelopes.
- FB-XD, Analogue-style oscillators meet a digital MULTI engine, motion sequencing and stereo effects.
- The G, Console-style VCA bus compression with stepped timing and a parallel Mix.
- Juice, Saturation with two drives, three Burn contours and a Sizzle stage.
- Amsterdam, A crushing multi-effect: twelve slots across three split lanes and a master lane.
- BIG, Shape stereo width in the frequency range you choose.
- Big Knobs, A character reverb with stepped Decay, separate low and high decay, and Predelay.
- Brooklyn Zoo, A sixteen-pad drum synth with a record, crate, sampler and desk printing path.
- Copy The Dog, A delay with 22 modes that grows from a simple echo into a space.
- Cranberry, Three generated sub bands, plus a separate Edge section for bite above them.
- End Times, A loudness chain: clipping, spectral limiting and a true-peak ceiling in one.
- Transient, A transient shaper with just Attack and Sustain: change the shape of the hit.
- Space Cake, Two delay engines, each Tape, BBD or Digital, for echoes with a groove.
- Summation, Console saturation: US Discrete, British Class-A and British Console engines.
- Whisper of Satan, A low-end shaper: a resonant bass emphasis, with the energy beneath it reduced.
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